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Based in Amsterdam, Fantasticus features Rie Kimura (Baroque violin), Robert Smith (viola da gamba and Baroque cello) and Guillermo Brachetta (harpsichord) and is inspired by the gloriously virtuosic music from the end of the 17th century, from which the name Stylus Fantasticus was coined. The aim of the ensemble is to recreate repertoire from the early seicento until the late Baroque searching and exploring the extravagance that flourished when composers and instrumentalists dared to traverse the established limits of the usual. Fantasticus prides itself on the fact that it makes no compromises with regard to authentic performance, fearlessly trespassing on the borders of correctness.
Rameau Harpsichord Rar Download
Download Zip: https://urllio.com/2vF3Gz
Personnel: Frank Maus, harpsichord (#2) Michel Schwalbé, violin (#3) David Bell, organ (#8,10) Leon Spierer, violin (#8) Berliner Philharmoniker Herbert von Karajan, conductor
Yet her musical background had been legitimate and rigorous. She learned piano from Jan Kleczyński and, later, from Moritz Moszkowski and composition from Heinrich Urban. She was so good by age 21 that she taught piano at the Schola Cantorum in Paris for a dozen years (1900-1912). By the end of that period, however, she became fascinated by harpsichords and learned to play them while doing research into the proper Baroque style of playing Bach, Handel, Couperin and Rameau, the four cornerstones of her repertoire. She toured European museums inspecting period harpsichords and trying them out, then bought old instruments and had Pleyel make her large touring harpsichord. The most controversial aspect of this instrument was its 16-foot stop, an octave below normal pitch, which gave her instrument a deeper, richer sound than any other.
When she died in 1959, RCA Victor put out a memorial album of which I bought a copy. How could I not? She was the Goddess of the Harpsichord, the woman who single-handedly revived interest in the harpsichord and made it a mainstream instrument. By the time she died there were also Ralph Kirkpatrick, Sylvia Marlowe and a few others, all inspired by Landowska and following in her footsteps, but it was pretty much accepted that Landowska was Mount Everest and the others were the Blue Ridge Mountains, at best.
And now, look at Landowska at her Pleyel in the early 1950s. I have been told by reputable sources that she was only about 4 foot 11 inches tall, thus I have used a measuring bracket, turned it around 90 degrees, and placed it over her instrument to show that her harpsichord was, indeed, no more than eight feet long:
HAYDN: Sonata No. 37 in D; Sonata No. 35 in C; Sonata No. 40 in G / Wanda Landowska, harpsichord / Sonata No. 34 in E minor; Sonata No. 49 in E-flat; Andante and Variations in F minor / Wanda Landowska, piano / RCA Victor LM-6073 (LPs, out of print, but available for free download at -plays-haydn.html) 2ff7e9595c
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